TOP 100 ALBUMS OF 2011
M83
Hurry Up, We're Dreaming
[Mute/Naive]
Anthony Gonzales turns in an ambitious statement in Hurry Up, We're Dreaming, a sprawling double album of synth-pop and fuzzed out electronic anthems seemingly meant to reach the stars. Gonzales steps further into the spotlight vocally as well, proving he is ready to let his voice come to the forefront of his massive compositions.
[Nick Torsell]
RYAN ADAMS
Ashes & Fire
[PAX-AM/Capitol]
America's favorite heartbreaker returns with his first solo album in about four years, with Ashes & Fire. Whereas Adams has frequently dwelled in bleak sonic and lyrical territory, Ashes & Fire shows a lighter side of the Carolina troubadour.
[Nick Torsell]
WILCO
The Whole Love
[dBpm]
Wilco explore their new-found freedom with their first album on their own label, delivering a wide range of emotions and sounds on The Whole Love. The record shows the band at their tighest, instrumentally, and features some of Jeff Tweedy's concise lyrical work to date.
[Jeff Pearson]
APPARAT
The Devil's Walk
[Mute]
Berlin-based producer Sascha Ring, known simply as Apparat, delivers a stunning combination of organic and digital mastery with lush vocals and arrangements. The Devil's Walk solidifies his role as one of the leading pioneers in electronic music production.
[Andrew Richardson]
CHARLES BRADLEY
No Time For Dreaming
[Daptone Records]
Charles Bradley and his back-up band the Menahan Street Band from Daptone Records present one of the most interesting debut albums in 2011 with No Time For Dreaming.
[Jordan Leman]
Wilco treats Toronto to two career-spanning nights of music, playing material from all across their prolific career. Two intimate evenings spent in the historic Massey Hall prove why they're one of America's most-loved live bands. [Nick Torsell]
The Residents make no bones about their live show. They are in the business in grabbing people by the lapels and shaking the life out of all the patrons that dare go see one of their shows. [Jordan Leman]
Montreal's Godspeed You! Black Emperor fill the streets of Athens with their instrumental drone of hope in times of turmoil. The eight-piece ensemble builds a sound so intensely beautiful, emotions from every angle come flying at the attendees. [Jeff Pearson]

